Cari
bahasa Melayu
  • English
  • 正體中文
  • 简体中文
  • Deutsch
  • Español
  • Français
  • Magyar
  • 日本語
  • 한국어
  • Монгол хэл
  • Âu Lạc
  • български
  • bahasa Melayu
  • فارسی
  • Português
  • Română
  • Bahasa Indonesia
  • ไทย
  • العربية
  • čeština
  • ਪੰਜਾਬੀ
  • русский
  • తెలుగు లిపి
  • हिन्दी
  • polski
  • italiano
  • Wikang Tagalog
  • Українська Мова
  • Others
  • English
  • 正體中文
  • 简体中文
  • Deutsch
  • Español
  • Français
  • Magyar
  • 日本語
  • 한국어
  • Монгол хэл
  • Âu Lạc
  • български
  • bahasa Melayu
  • فارسی
  • Português
  • Română
  • Bahasa Indonesia
  • ไทย
  • العربية
  • čeština
  • ਪੰਜਾਬੀ
  • русский
  • తెలుగు లిపి
  • हिन्दी
  • polski
  • italiano
  • Wikang Tagalog
  • Українська Мова
  • Others
Tajuk
Transkrip
Seterusnya
 

Japanese Traditional Crafts, Part 1 of 2 - Kintsugi: Finding Beauty in Mending Pottery

2021-11-24
BAHASA:English
Butiran
Muat Turun Docx
Baca Lebih Lanjut
Japan has a long history of ceramics, dating back to the Jōmon period (c. 14,000 – 300 BC), when pottery became widespread in the country, including for decorative purposes. Japanese potters have used lacquer in their work since around 2,400 BC.

Traditional Japanese lacquer is commonly called urushi lacquer because it’s made from the sap of the urushi tree. In Kintsugi, lacquer is used to repair broken pottery, but then instead of hiding the cracks or repairs, a sprinkling of gold, silver or platinum is added to enhance it. If gold is used, the process is called “kintsugi,” where “kin” means “gold” and “tsugi” means “joinery.” With a delicate touch of kintsugi and a little bit of TLC, broken items gain a new life and dignity, symbolizing the beauty of healing and rebirth.

The Zen Buddhist aesthetic behind Kintsugi is connected with the Japanese ideal of mushin a state of mind free from anger, fear, and ego. A person who has achieved a state of mushin accepts and embraces change and fate as aspects of human existence, so he or she recognizes, and even celebrates the beauty in broken, imperfect things.

Mr. Hidetoshi Nobu is a second-generation kintsugi master from Takeo town in Saga Prefecture in Kyushu, the southernmost of Japan’s main islands. Mr. Nobu is so skilled at kintsugi that he frequently restores historical artwork for museums and art dealers. He has seen a rise in the number of requests from private individuals over the past few decades. Mr. Nobu also teaches kintsugi workshops around Japan.

Another famous kintsugi enthusiast and teacher is Mr. Kunio Nakamura, the owner of the Sixth Dimension bookstore cafe in Ogikubo, Tokyo, where he hosts kintsugi classes. As a freelance director of art and travel shows, Mr. Nakamura has visited over 40 countries, and has written many books on the art of Kintsugi.

Kintsugi is increasingly being recognized as a method of quieting and healing the mind. By tending to the cracks and broken pieces and creating something beautiful from them, one learns to appreciate life’s flaws and imperfections, and that opportunities for healing, growth, and transformation are always present.
Saksikan Lebih Banyak
Video Terkini
2023-12-04
1782 Tontonan
2023-12-03
1815 Tontonan
2023-12-02
234 Tontonan
2023-12-02
1909 Tontonan
2023-12-01
344 Tontonan
2023-12-01
204 Tontonan
Kongsi
Berkongsi Ke
Benamkan
Bermula pada
Muat Turun
Telefon Bimbit
Telefon Bimbit
iPhone
Android
Menonton di Pelayar Telefon Bimbit
GO
GO
Prompt
OK
Aplikasi
Imbas kod QR atau pilih sistem telefon yang betul untuk muat turun
iPhone
Android